ON DISPLAY in
ABORIGINAL & TORRES STRAIT ISLANDER ART
TEXTILES
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Ellen TREVORROW
Ngarrindjeri people
Tailem Bend, South Australia born 1955
Fish scoop
1999 - coil weave scoop form based on circular flat weave mat
Meningie, South Australia, Australia
Sculpture, Fibre object, sedge grass
Technique: Ngarrindjeri coiled basketry
21.0 h x 30.0 w x 62.0 d cm
Purchased 1999
Accession No: NGA 99.88
Subject: Aboriginal Australians: Women
Aboriginal Australians: Community issues
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Ellen TREVORROW
Ngarrindjeri people
Tailem Bend, South Australia born 1955
Fish scoop
1999 - coil weave scoop form based on circular flat weave mat
Meningie, South Australia, Australia
Sculpture, Fibre object, sedge grass
Technique: Ngarrindjeri coiled basketry
21.0 h x 30.0 w x 62.0 d cm
Purchased 1999
Accession No: NGA 99.88
Subject: Aboriginal Australians: Women
Aboriginal Australians: Community issues
Exhibition History
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- 2003
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- Tactility: two centuries of Indigenous objects, textiles and fibres NGA
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- 2000
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- Keeping Culture : Aboriginal Art to Keeping Places and Cultural Centres
- Camp Coorong
- Eden Local Aboriginal Land Council and Keeping Place
- Fountain Gallery
- Port Pirie Regional Art Gallery Inc
- Signal Point - River Murray Interpretive Centre
- South Coast Aboriginal Cultural Centre
- Tasmanian Aboriginal Corporation Woman's Arts and Crafts
- Umbarra Aboriginal Cultural Centre and Tours
- Winmante Arts Incorporated
- Women's Karadi Aboriginal Corporation
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- NA
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- Keeping Culture : Aboriginal Art to Keeping Places and Cultural Centres NGA
LESS DETAIL
Aunty Ellen describes herself as a ‘cultural weaver’ making the baskets, mats and fish scoops that the old people used for gathering food and for protection. ‘Everything made by the old people served a purpose and it is an honour for me to be doing it today’.They were tools of survival in the past, now they are tools for the survival of the culture. Although she may occasionally use some of the baskets, primarily her work functions as a symbol of her culture and of herself as a representative of that culture.
(Michele Gollan in Keeping Culture: Aboriginal art to Keeping Places and Cultural Centres, 2000, p. 5)
Text © National Gallery of Australia, Canberra 2010